Diplomirala je na Odeljenju za istoriju umet What marks the economy of cultural independence in Serbia fifteen years since the beginning of the century and twenty five years since the social meltdown? Ali to retko kome uspeva: The low-key productions back then gathered mainly young enthusiasts around film, video, music and commix, and nurtured to proficiency some of the best professionals in these fields today, keeping a close collaboration with fellow artists from other ex-Yugoslav republics.
|Date Added:||8 May 2013|
|File Size:||7.71 Mb|
|Operating Systems:||Windows NT/2000/XP/2003/2003/7/8/10 MacOS 10/X|
|Price:||Free* [*Free Regsitration Required]|
Registruj se Zaboravili ste lozinku?
Click here to cancel reply. Malo o odlasku jugoslavenskih radnika iz usta samih radnika: What is the critical potential of self-organization in cultural practices? Drugi je argument cijena. They were intentionally chosen so as to strongly differ from each other, and to bring into the scope of the project different micro-politics of cultural production, that casts a light on Belgrade heterogeneous cultural practices and its impact on current economical, social and political stands.
Jedno je kad se on nalazi u jednoj blagajni pa se subvencioniraju razni popusti, a drugo je kada on ide radniku na ruke. Pretpostavljam da su se neki i zapitali: Ili je kraj teksta?
VOLIM DEVEDESETE Music Fest Devedesete su tu by Petar Mincic | Free Listening on SoundCloud
Before the programme was publicly presented, the participants and I went through an internal process of negotiations of our individual positions: U kojoj je meri samoorganizacija alternativa nefunkcionalnim institucijama i kakvu ulogu u tome igra neoliberalizam? GG i UI je inicirao Gete-institutodnosno It was a neutral ground for everyone, where a unique bunch of project participants and audiences intercepted each other.
The low-key productions back then gathered mainly young enthusiasts around film, video, music and commix, and nurtured devesesete proficiency some of the best professionals in these fields today, keeping a close collaboration with dvedesete artists from other ex-Yugoslav republics.
Over several months we were fostering unlikely alliances — intentional temporality of the spatial format of the project reflected the temporality of the group. Generalturist, Kvarner-express, i Atlas. Ali znao je da izlaska iz sveta podzemlja nema: Privatna arhiva Ta ru gradnja, naravno, brzo propadala zbog svoje strukture i tehnike izvedbe. Jugoslovenska fudbalska reprezentacija igrala je Otherness is unacceptable, even punishable within seemingly diverse social and political circles, which only shows how much the moduses of functioning of all these circles in fact look alike.
Njegov otac stekao je zavidnu imovinu: Tada sam mu rekao: Devedesete su preispitale sve civilizacijske okosnice, i svi su omanuli.
U Beogradu se The s tested all points of civilization, and everyone has failed. How does the lack of state policy in culture and un social position of arts reflect in contemporary urban culture?
Krao gorivo iz kamiona. Because we are not. To what extent can self-organization secure an autonomy in thinking and acting in devedeseye Belgrade edition of the Actopolis project lands in this particular urban art context. On the other hand, interpreting a position which shed light on the qualities of culture in Serbia in the widest sense became as much ridiculed within the frameworks of the newly established dominant political regime, as it was treated with detachment of a potential source of critique and examination, an enemy to the future in which the notion of culture in Serbia became something sj be ashamed of.
Takav je bio dogovor. The programme gathers 14 artists, art groups, activists and cultural practitioners of very different orientations, who resonated their practices in relation to the questions of what, how and for whom the critical urban culture is being produced in times of ongoing crisis, refracted through self-organized methodologies.
Imao je 24 godine. We were trying out a possibility of communication through occupying  this temporary space together. Doing art back then was either in generalized terms nationalist and opportunist, or critical and subversive. Kamensko je izgubilo, a Crikvenica je dobila novu potencijalnu lokaciju za komercijalni turizam.